A PORTRAIT FROM LIFE
From the manner with which the Latournelles entered the Chalet a stranger would readily have guessed that they came there every evening.
"Ah, you are here already," said the notary, perceiving the young banker Gobenheim, a connection of Gobenheim-Keller, the head of the great banking house in Paris.
This young man with a livid face--a blonde of the type with black eyes, whose immovable glance has an indescribable fascination, sober in speech as in conduct, dressed in black, lean as a consumptive, but nevertheless vigorously framed--visited the family of his former master and the house of his cashier less from affection than from self-interest. Here they played whist at two sous a point; a dress-
coat was not required; he accepted no refreshment except "eau sucree,"
and consequently had no civilities to return. This apparent devotion to the Mignon family allowed it to be supposed that Gobenheim had a heart; it also released him from the necessity of going into the society of Havre and incurring useless expenses, thus upsetting the orderly economy of his domestic life. This disciple of the golden calf went to bed at half-past ten o'clock and got up at five in the morning. Moreover, being perfectly sure of Latournelle's and Butscha's discretion, he could talk over difficult business matters, obtain the advice of the notary gratis, and get an inkling of the real truth of the gossip of the street. This stolid gold-glutton (the epithet is Butscha's) belonged by nature to the class of substances which chemistry terms absorbents. Ever since the catastrophe of the house of Mignon, where the Kellers had placed him to learn the principles of maritime commerce, no one at the Chalet had ever asked him to do the smallest thing, no matter what; his reply was too well known. The young fellow looked at Modeste precisely as he would have looked at a cheap lithograph.
"He's one of the pistons of the big engine called 'Commerce,'" said poor Butscha, whose clever mind made itself felt occasionally by such little sayings timidly jerked out.
The four Latournelles bowed with the most respectful deference to an old lady dressed in black velvet, who did not rise from the armchair in which she was seated, for the reason that both eyes were covered with the yellow film produced by cataract. Madame Mignon may be sketched in one sentence. Her august countenance of the mother of a family attracted instant notice as that of one whose irreproachable life defies the assaults of destiny, which nevertheless makes her the target of its arrows and a member of the unnumbered tribe of Niobes.
Her blonde wig, carefully curled and well arranged upon her head, became the cold white face which resembled that of some burgomaster's wife painted by Hals or Mirevelt. The extreme neatness of her dress, the velvet boots, the lace collar, the shawl evenly folded and put on, all bore testimony to the solicitous care which Modeste bestowed upon her mother.
When silence was, as the notary had predicted, restored in the pretty salon, Modeste, sitting beside her mother, for whom she was embroidering a kerchief, became for an instant the centre of observation. This curiosity, barely veiled by the commonplace salutations and inquiries of the visitors, would have revealed even to an indifferent person the existence of the domestic plot to which Modeste was expected to fall a victim; but Gobenheim, more than indifferent, noticed nothing, and proceeded to light the candles on the card-table. The behavior of Dumay made the whole scene terrifying to Butscha, to the Latournelles, and above all to Madame Dumay, who knew her husband to be capable of firing a pistol at Modeste's lover as coolly as though he were a mad dog.
After dinner that day the cashier had gone to walk followed by two magnificent Pyrenees hounds, whom he suspected of betraying him, and therefore left in charge of a farmer, a former tenant of Monsieur Mignon. On his return, just before the arrival of the Latournelles, he had taken his pistols from his bed's head and placed them on the chimney-piece, concealing this action from Modeste. The young girl took no notice whatever of these preparations, singular as they were.
Though short, thick-set, pockmarked, and speaking always in a low voice as if listening to himself, this Breton, a former lieutenant in the Guard, showed the evidence of such resolution, such sang-froid on his face that throughout life, even in the army, no one had ever ventured to trifle with him. His little eyes, of a calm blue, were like bits of steel. His ways, the look on his face, his speech, his carriage, were all in keeping with the short name of Dumay. His physical strength, well-known to every one, put him above all danger of attack. He was able to kill a man with a blow of his fist, and had performed that feat at Bautzen, where he found himself, unarmed, face to face with a Saxon at the rear of his company. At the present moment the usually firm yet gentle expression of the man's face had risen to a sort of tragic sublimity; his lips were pale as the rest of his face, indicating a tumult within him mastered by his Breton will; a slight sweat, which every one noticed and guessed to be cold, moistened his brow. The notary knew but too well that these signs might result in a drama before the criminal courts. In fact the cashier was playing a part in connection with Modeste Mignon, which involved to his mind sentiments of honor and loyalty of far greater importance than mere social laws; and his present conduct proceeded from one of those compacts which, in case disaster came of it, could be judged only in a higher court than one of earth. The majority of dramas lie really in the ideas which we make to ourselves about things. Events which seem to us dramatic are nothing more than subjects which our souls convert into tragedy or comedy according to the bent of our characters.
