PROLOGUE
Die Gottrerdammerung begins with an elaborate prologue.The three Norns sit in the night on Brynhild's mountain top spinning their thread of destiny, and telling the story of Wotan's sacrifice of his eye, and of his breaking off a bough from the World Ash to make a heft for his spear, also how the tree withered after suffering that violence.They have also some fresher news to discuss.Wotan, on the breaking of his spear by Siegfried, has called all his heroes to cut down the withered World Ash and stack its faggots in a mighty pyre about Valhalla.Then, with his broken spear in his hand, he has seated himself in state in the great hall, with the Gods and Heroes assembled about him as if in council, solemnly waiting for the end.All this belongs to the old legendary materials with which Wagner began The Ring.
The tale is broken by the thread snapping in the hands of the third Norn; for the hour has arrived when man has taken his destiny in his own hands to shape it for himself, and no longer bows to circumstance, environment, necessity (which he now freely wills), and all the rest of the inevitables.So the Norns recognize that the world has no further use for them, and sink into the earth to return to the First Mother.Then the day dawns;and Siegfried and Brynhild come, and have another duet.He gives her his ring; and she gives him her horse.Away then he goes in search of more adventures; and she watches him from her crag until he disappears.The curtain falls; but we can still hear the trolling of his horn, and the merry clatter of his horse's shoes trotting gaily down the valley.The sound is lost in the grander rhythm of the Rhine as he reaches its banks.We hear again an echo of the lament of the Rhine maidens for the ravished gold;and then, finally, a new strain, which does not surge like the mighty flood of the river, but has an unmistakable tramp of hardy men and a strong land flavor about it.And on this the opera curtain at last goes up--for please remember that all that has gone before is only the overture.
The First ActWe now understand the new tramping strain.We are in the Rhineside hall of the Gibichungs, in the resence of King Gunther, his sister Gutrune, and unther's grim half brother Hagen, the villain of the piece.Gunther is a fool, and has for Hagen's intelligence the respect a fool always has for the brains of a scoundrel.Feebly fishing for compliments, he appeals to Hagen to pronounce him a fine fellow and a glory to the race of Gibich.
Hagen declares that it is impossible to contemplate him without envy, but thinks it a pity that he has not yet found a wife glorious enough for him.Gunther doubts whether so extraordinary a person can possibly exist.Hagen then tells him of Brynhild and her rampart of fire; also of Siegfried.Gunther takes this rather in bad part, since not only is he afraid of the fire, but Siegfried, according to Hagen, is not, and will therefore achieve this desirable match himself.But Hagen points out that since Siegfried is riding about in quest of adventures, he will certainly pay an early visit to the renowned chief of the Gibichungs.They can then give him a philtre which will make him fall in love with Gutrune and forget every other woman he has yet seen.
Gunther is transported with admiration of Hagen's cunning when he takes in this plan; and he has hardly assented to it when Siegfried, with operatic opportuneness, drops in just as Hagen expected, and is duly drugged into the heartiest love for Gutrune and total oblivion of Brynhild and his own past.When Gunther declares his longing for the bride who lies inaccessible within a palisade of flame, Siegfried at once offers to undertake the adventure for him.Hagen then explains to both of them that Siegfried can, after braving the fire, appear to Brynhild in the semblance of Gunther through the magic of the wishing cap (or Tarnhelm, as it is called throughout The Ring), the use of which Siegfried now learns for the first time.It is of course part of the bargain that Gunther shall give his sister to Siegfried in marriage.On that they swear blood-brotherhood; and at this opportunity the old operatic leaven breaks out amusingly in Wagner.With tremendous exordium of brass, the tenor and baritone go at it with a will, showing off the power of their voices, following each other in canonic imitation, singing together in thirds and sixths, and finishing with a lurid unison, quite in the manner of Ruy Gomez and Ernani, or Othello and Iago.Then without further ado Siegfried departs on his expedition, taking Gunther with him to the foot of the mountain, and leaving Hagen to guard the hall and sing a very fine solo which has often figured in the programs of the Richter concerts, explaining that his interest in the affair is that Siegfried will bring back the Ring, and that he, Hagen, will presently contrive to possess himself of that Ring and become Plutonic master of the world.
And now it will be asked how does Hagen know all about the Plutonic empire; and why was he able to tell Gunther about Brynhild and Siegfried, and to explain to Siegfried the trick of the Tarnhelm.The explanation is that though Hagen's mother was the mother of Gunther, his father was not the illustrious Gibich, but no less a person than our old friend Alberic, who, like Wotan, has begotten a son to do for him what he cannot do for himself.
In the above incidents, those gentle moralizers who find the serious philosophy of the music dramas too terrifying for them, may allegorize pleasingly on the philtre as the maddening chalice of passion which, once tasted, causes the respectable man to forget his lawfully wedded wife and plunge into adventures which eventually lead him headlong to destruction.
