登陆注册
19594600000027

第27章

Brown and MacShaughnassy came down together on the Saturday afternoon; and, as soon as they had dried themselves, and had had some tea, we settled down to work.

Jephson had written that he would not be able to be with us until late in the evening, and Brown proposed that we should occupy ourselves until his arrival with plots.

"Let each of us," said he, "sketch out a plot. Afterwards we can compare them, and select the best."This we proceeded to do. The plots themselves I forget, but Iremember that at the subsequent judging each man selected his own, and became so indignant at the bitter criticism to which it was subjected by the other two, that he tore it up; and, for the next half-hour, we sat and smoked in silence.

When I was very young I yearned to know other people's opinion of me and all my works; now, my chief aim is to avoid hearing it. In those days, had any one told me there was half a line about myself in a newspaper, I should have tramped London to obtain that publication. Now, when I see a column headed with my name, Ihurriedly fold up the paper and put it away from me, subduing my natural curiosity to read it by saying to myself, "Why should you?

It will only upset you for the day."

In my cubhood I possessed a friend. Other friends have come into my life since--very dear and precious friends--but they have none of them been to me quite what this friend was. Because he was my first friend, and we lived together in a world that was much bigger than this world--more full of joy and of grief; and, in that world, we loved and hated deeper than we love and hate in this smaller world that I have come to dwell in since.

He also had the very young man's craving to be criticised, and we made it our custom to oblige each other. We did not know then that what we meant, when we asked for "criticism," was encouragement. We thought that we were strong--one does at the beginning of the battle, and that we could bear to hear the truth.

Accordingly, each one pointed out to the other one his errors, and this task kept us both so busy that we had never time to say a word of praise to one another. That we each had a high opinion of the other's talents I am convinced, but our heads were full of silly saws. We said to ourselves: "There are many who will praise a man;it is only his friend who will tell him of his faults." Also, we said: "No man sees his own shortcomings, but when these are pointed out to him by another he is grateful, and proceeds to mend them."As we came to know the world better, we learnt the fallacy of these ideas. But then it was too late, for the mischief had been done.

When one of us had written anything, he would read it to the other, and when he had finished he would say, "Now, tell me what you think of it--frankly and as a friend."Those were his words. But his thoughts, though he may not have known them, were:-"Tell me it is clever and good, my friend, even if you do not think so. The world is very cruel to those that have not yet conquered it, and, though we keep a careless face, our young hearts are scored with wrinkles. Often we grow weary and faint-hearted. Is it not so, my friend? No one has faith in us, and in our dark hours we doubt ourselves. You are my comrade. You know what of myself Ihave put into this thing that to others will be but an idle half-hour's reading. Tell me it is good, my friend. Put a little heart into me, I pray you."But the other, full of the lust of criticism, which is civilisation's substitute for cruelty, would answer more in frankness than in friendship. Then he who had written would flush angrily, and scornful words would pass.

One evening, he read me a play he had written. There was much that was good in it, but there were also faults (there are in some plays), and these I seized upon and made merry over. I could hardly have dealt out to the piece more unnecessary bitterness had I been a professional critic.

As soon as I paused from my sport he rose, and, taking his manuscript from the table, tore it in two, and flung it in the fire--he was but a very young man, you must remember--and then, standing before me with a white face, told me, unsolicited, his opinion of me and of my art. After which double event, it is perhaps needless to say that we parted in hot anger.

I did not see him again for years. The streets of life are very crowded, and if we loose each other's hands we are soon hustled far apart. When I did next meet him it was by accident.

I had left the Whitehall Rooms after a public dinner, and, glad of the cool night air, was strolling home by the Embankment. A man, slouching along under the trees, paused as I overtook him.

"You couldn't oblige me with a light, could you, guv'nor?" he said.

The voice sounded strange, coming from the figure that it did.

I struck a match, and held it out to him, shaded by my hands. As the faint light illumined his face, I started back, and let the match fall:-"Harry!"

He answered with a short dry laugh. "I didn't know it was you," he said, "or I shouldn't have stopped you.""How has it come to this, old fellow?" I asked, laying my hand upon his shoulder. His coat was unpleasantly greasy, and I drew my hand away again as quickly as I could, and tried to wipe it covertly upon my handkerchief.

"Oh, it's a long, story," he answered carelessly, "and too conventional to be worth telling. Some of us go up, you know. Some of us go down. You're doing pretty well, I hear.""I suppose so," I replied; "I've climbed a few feet up a greasy pole, and am trying to stick there. But it is of you I want to talk. Can't I do anything for you?"We were passing under a gas-lamp at the moment. He thrust his face forward close to mine, and the light fell full and pitilessly upon it.

"Do I look like a man you could do anything for?" he said.

We walked on in silence side by side, I casting about for words that might seize hold of him.

"You needn't worry about me," he continued after a while, "I'm comfortable enough. We take life easily down here where I am.

We've no disappointments."

同类推荐
  • 百丈清规

    百丈清规

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 禅林备用清规

    禅林备用清规

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 下第述怀

    下第述怀

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 订正仲景全书伤寒论注

    订正仲景全书伤寒论注

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 韩湘子全传

    韩湘子全传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 人生必修的逆商课

    人生必修的逆商课

    在当今这个瞬息万变、逆境环生的多元化时代,失败、逆境出现的频率越来越高。面对逆境的挑战时.大多数人在没有尝试达到极限、完全发挥能力的情况下就放弃了.甚至有些人会被如雪崩般的一系列变化打倒。人们随时随地会陷入逆境,因此,学会应对失败、走出逆境是时代变迁带来的迫切需要,也是人们赢得成功的首要条件。克服逆境.关键就是要提高逆商。
  • 世族赋之兰寮往事

    世族赋之兰寮往事

    三年相守,七年相斗,江湖之远,庙堂之高,这天下,是他予她的红妆,还是她赠他的诀别?三年前,他和她是人人羡煞的伉俪情深,三年后,他是人人畏惧的摄政王,她是江南世家的族长。权势,天下,家族,亲情,爱情,他和她的选择,左右的是他们的人生还是这天下的聚散?七年后的他们得到的和失去的是否无悔?大陈王朝历史上最风雨飘零的十年,后世史书上最讳莫如深的一段岁月埋葬的他和她的故事。
  • 让你人际烦恼一扫光的社交心理学

    让你人际烦恼一扫光的社交心理学

    《让你人际烦恼一扫光的社交心理学》巧妙地将心理学和社交学融合在一起,揭示了人们心理变化的规律,对社会交往中可能遇到的各种问题和困境进行了详尽的分析,并提供了最具实战效用的解决思路与方法,帮助你提升社交技巧和能力,了解人们外在行为背后的心理奥秘,掌控人际交往主动权,开创左右逢源、如鱼得水的人生局面。
  • 暗影修罗

    暗影修罗

    魔族血脉与人类诞生的混血者:修。与母亲逃离魔族来到人类的国都生存。但成年后,血统的觉醒仍旧无法摆脱命运的残酷……而此时,恰逢万年一次的灾难降临,大陆格局开始动乱,种族之间的平衡也将被打破……魔龙出世,天使降临,传说现于世人眼前;远古战场,深渊裂缝,缓缓开启。机遇与挑战一同降临……血之始祖该隐,苏醒后以意识游历人间,遇上死后不散的修的残魂,百无聊赖的他,了解事情经过后,赋予修力量,让他去征战,去变强,去复仇.而该隐则在幕后操纵着一切,像是欣赏一场人生中的木偶戏。但是获得新力量的修,却不甘沦为木偶,不断地变强。而该隐却不知因为这一次的闹剧改变了世界的格局,更不知道,一直以为不死的自己真的会死……
  • 生存三做

    生存三做

    生存的第一要务就是不断做事,大事、小事、外边事、家里事,人活一生可以说事事不断,人生离不开做事,做事便是你人生最重要的活动。如果你尚不知道从哪个入口找到最佳的方式,那就记住“做”的要诀吧。从现在开始去做,你会发现自己将拥有一个不一样的生存环境。
  • THE CRISIS IN RUSSIA

    THE CRISIS IN RUSSIA

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 山海妄歌

    山海妄歌

    这里是洪荒的时代,生命与轮回、杀戮、仇恨、欲望在这里都如一盆浑浊的水,早已浑然难分。而命运早已为他们用鲜血铺垫好登上权倾四野的帝王之位的道路了……
  • 星罗风云之墨武天下

    星罗风云之墨武天下

    她,翟城大名鼎鼎的废物;她,被称为“夜之王”的强者。不同的身份,惊人的差距,她将如何墨武天下?(本人新手上阵,文章啥的可能会写得慢点、出点差错,请大家见谅,有错误或建议请提出来哦,不要客气!)
  • 祸种

    祸种

    我是从母亲尸体里爬出来的孩子,天生贱命,对我好的人都要死……
  • 我的战争之路

    我的战争之路

    一个意外的世界...面对着残酷的战争...面对着死亡的威胁...古林选择勇往直前...但脚下的路布满了锋利的棘刺,刺的他血肉模糊......周围一片黑暗,远方的灯塔是那样的光明而现实的残酷像一条条黑色的枷锁......