A hundred pictures have been drawn of undergraduate life at Oxford, and a hundred caricatures. Novels innumerable introduce some Oxford scenes. An author generally writes his first romance soon after taking his degree; he writes about his own experience and his own memories; he mixes his ingredients at will and tints according to fancy. This is one of the two reasons why pictures of Oxford, from the undergraduate side, are generally false. They are either drawn by an aspirant who is his own hero, and who idealises himself and his friends, or they are designed by ladies who have read Verdant Green, and who, at some period, have paid a flying visit to Cambridge. An exhaustive knowledge of Verdant Green, and a hasty view of the Fitzwilliam Museum and "the backs of the Colleges" (which are to Cambridge what the Docks are to Liverpool), do not afford sufficient materials for an accurate sketch of Oxford. The picture daubed by the emancipated undergraduate who dabbles in fiction is as unrecognisable. He makes himself and his friends too large, too noisy, too bibulous, too learned, too extravagant, too pugnacious.
They seem to stride down the High, prodigious, disproportionate figures, like the kings of Egypt on the monuments, overshadowing the crowd of dons, tradesmen, bargees, and cricket-field or river-side cads. Often one dimly recognises the scenes, and the acquaintances of years ago, in University novels. The mildest of men suddenly pose as heroes of the Guy Livingstone type, fellows who "screw up" timid dons, box with colossal watermen, and read all night with wet towels bound round their fevered brows. These sketches are all nonsense.
Men who do these things do not write about them; and men who write about them never did them.
There is yet another cause which increases the difficulty of describing undergraduate life with truth. There are very many varieties of undergraduates, who have very various ways of occupying and amusing themselves. A steady man that reads his five or six hours a day, and takes his pastime chiefly on the river, finds that his path scarcely ever crosses that of him who belongs to the Bullingdon Club, hunts thrice a week, and rarely dines in hall. Then the "pale student," who is hard at work in his rooms or in the Bodleian all day, and who has only two friends, out-college men, with whom he takes walks and tea,--he sees existence in a very different aspect. The Union politician, who is for ever hanging about his club, dividing the house on questions of blotting-paper and quill pens, discussing its affairs at breakfast, intriguing for the place of Librarian, writing rubbish in the suggestion-book, to him Oxford is only a soil carefully prepared for the growth of that fine flower, the Union. He never encounters the undergraduate who haunts billiard-rooms and shy taverns, who buys jewelry for barmaids, and who is admired for the audacity with which he smuggled a fox-terrier into college in a brown-paper parcel. There are many other species of undergraduate, scarcely more closely resembling each other in manners and modes of thought than the little Japanese student resembles the metaphysical Scotch exhibitioner, or than the hereditary war minister of Siam (whose career, though brief, was vivacious) resembled the Exeter Sioux, a half-reclaimed savage, who disappeared on the warpath after failing to scalp the Junior Proctor.
When The Wet Blanket returned to his lodge in the land of Sitting Bull, he doubtless described Oxford life in his own way to the other Braves, while the squaws hung upon his words and the papooses played around. His account would vary, in many ways, from that of "Whiskered Tomkins from the hail Of seedy Magdalene."
And he, again, would not see Oxford life steadily, and see it whole, as a more cultivated and polished undergraduate might. Thus there are countless pictures of the works and ways of undergraduates at the University. The scene is ever the same--boat-races and foot-ball matches, scouts, schools, and proctors, are common to all,--but in other respects the sketches must always vary, must generally be one-sided, and must often seem inaccurate.
It appears that a certain romance is attached to the three years that are passed between the estate of the freshman and that of the Bachelor of Arts. These years are spent in a kind of fairyland, neither quite within nor quite outside of the world. College life is somewhat, as has so often been said, like the old Greek city life.
