The train was five minutes late and they imagined that that was because it was market-day at Swindon or wherever the train came from. That was the sort of thing they talked about. The train came in; Edward found her a first-class carriage with an elderly woman in it. The girl entered the carriage, Edward closed the door and then she put out her hand to shake mine. There was upon those people's faces no expression of any kind whatever. The signal for the train's departure was a very bright red; that is about as passionate a statement as I can get into that scene. She was not looking her best; she had on a cap of brown fur that did not very well match her hair. She said:
"So long," to Edward.
Edward answered: "So long."
He swung round on his heel and, large, slouching, and walking with a heavy deliberate pace, he went out of the station. Ifollowed him and got up beside him in the high dog-cart. It was the most horrible performance I have ever seen.
And, after that, a holy peace, like the peace of God which passes all understanding, descended upon Branshaw Teleragh. Leonora went about her daily duties with a sort of triumphant smile--a very faint smile, but quite triumphant. I guess she had so long since given up any idea of getting her man back that it was enough for her to have got the girl out of the house and well cured of her infatuation. Once, in the hall, when Leonora was going out, Edward said, beneath his breath--but I just caught the words:
"Thou hast conquered, O pale Galilean." It was like his sentimentality to quote Swinburne. But he was perfectly quiet and he had given up drinking. The only thing that he ever said to me after that drive to the station was:
"It's very odd. I think I ought to tell you, Dowell, that I haven't any feelings at all about the girl now it's all over. Don't you worry about me. I'm all right." A long time afterwards he said: "I guess it was only a flash in the pan." He began to look after the estates again; he took all that trouble over getting off the gardener's daughter who had murdered her baby. He shook hands smilingly with every farmer in the market-place. He addressed two political meetings; he hunted twice. Leonora made him a frightful scene about spending the two hundred pounds on getting the gardener's daughter acquitted. Everything went on as if the girl had never existed. It was very still weather.
Well, that is the end of the story. And, when I come to look at it Isee that it is a happy ending with wedding bells and all. The villains--for obviously Edward and the girl were villains--have been punished by suicide and madness. The heroine--the perfectly normal, virtuous and slightly deceitful heroine--has become the happy wife of a perfectly normal, virtuous and slightly deceitful husband. She will shortly become a mother of a perfectly normal, virtuous slightly deceitful son or daughter. A happy ending, that is what it works out at.
I cannot conceal from myself the fact that I now dislike Leonora.
Without doubt I am jealous of Rodney Bayham. But I don't know whether it is merely a jealousy arising from the fact that I desired myself to possess Leonora or whether it is because to her were sacrificed the only two persons that I have ever really loved--Edward Ashburnham and Nancy Rufford. In order to set her up in a modern mansion, replete with every convenience and dominated by a quite respectable and eminently economical master of the house, it was necessary that Edward and Nancy Rufford should become, for me at least, no more than tragic shades.
I seem to see poor Edward, naked and reclining amidst darkness, upon cold rocks, like one of the ancient Greek damned, in Tartarus or wherever it was.
And as for Nancy . . . Well, yesterday at lunch she said suddenly:
"Shuttlecocks!"
