Three weeks after her return from the country--which took place a week later than that of Jasper Milvain--Marian Yule was working one afternoon at her usual place in the Museum Reading-room. It was three o'clock, and with the interval of half an hour at midday, when she went away for a cup of tea and a sandwich, she had been closely occupied since half-past nine. Her task at present was to collect materials for a paper on 'French Authoresses of the Seventeenth Century,' the kind of thing which her father supplied on stipulated terms for anonymous publication. Marian was by this time almost able to complete such a piece of manufacture herself and her father's share in it was limited to a few hints and corrections. The greater part of the work by which Yule earned his moderate income was anonymous:
volumes and articles which bore his signature dealt with much the same subjects as his unsigned matter, but the writing was laboured with a conscientiousness unusual in men of his position.
The result, unhappily, was not correspondent with the efforts.
Alfred Yule had made a recognisable name among the critical writers of the day; seeing him in the title-lists of a periodical, most people knew what to expect, but not a few forbore the cutting open of the pages he occupied. He was learned, copious, occasionally mordant in style; but grace had been denied to him. He had of late begun to perceive the fact that those passages of Marian's writing which were printed just as they came from her pen had merit of a kind quite distinct from anything of which he himself was capable, and it began to be a question with him whether it would not be advantageous to let the girl sign these compositions. A matter of business, to be sure--at all events in the first instance.
For a long time Marian had scarcely looked up from the desk, but at this moment she found it necessary to refer to the invaluable Larousse. As so often happened, the particular volume of which she had need was not upon the shelf she turned away, and looked about her with a gaze of weary disappointment. At a little distance were standing two young men, engaged, as their faces showed, in facetious colloquy; as soon as she observed them, Marian's eyes fell, but the next moment she looked again in that direction. Her face had wholly changed; she wore a look of timid expectancy.
The men were moving towards her, still talking and laughing. She turned to the shelves, and affected to search for a book. The voices drew near, and one of them was well known to her; now she could hear every word; now the speakers were gone by. Was it possible that Mr Milvain had not recognised her? She followed him with her eyes, and saw him take a seat not far off he must have passed without even being aware of her.
She went back to her place and for some minutes sat trifling with a pen. When she made a show of resuming work, it was evident that she could no longer apply herself as before. Every now and then she glanced at people who were passing; there were intervals when she wholly lost herself in reverie. She was tired, and had even a slight headache. When the hand of the clock pointed to half-past three, she closed the volume from which she had been copying extracts, and began to collect her papers.
A voice spoke close behind her.
'Where's your father, Miss Yule?'
The speaker was a man of sixty, short, stout, tonsured by the hand of time. He had a broad, flabby face, the colour of an ancient turnip, save where one of the cheeks was marked with a mulberry stain; his eyes, grey-orbed in a yellow setting, glared with good-humoured inquisitiveness, and his mouth was that of the confirmed gossip. For eyebrows he had two little patches of reddish stubble; for moustache, what looked like a bit of discoloured tow, and scraps of similar material hanging beneath his creasy chin represented a beard. His garb must have seen a great deal of Museum service; it consisted of a jacket, something between brown and blue, hanging in capacious shapelessness, a waistcoat half open for lack of buttons and with one of the pockets coming unsewn, a pair of bronze-hued trousers which had all run to knee. Necktie he had none, and his linen made distinct appeal to the laundress.
Marian shook hands with him.
'He went away at half-past two,' was her reply to his question.
'How annoying! I wanted particularly to see him. I have been running about all day, and couldn't get here before. Something important--most important. At all events, I can tell you. But Ientreat that you won't breathe a word save to your father.'
Mr Quarmby--that was his name--had taken a vacant chair and drawn it close to Marian's. He was in a state of joyous excitement, and talked in thick, rather pompous tones, with a pant at the end of a sentence. To emphasise the extremely confidential nature of his remarks, he brought his head almost in contact with the girl's, and one of her thin, delicate hands was covered with his red, podgy fingers.
'I've had a talk with Nathaniel Walker,' he continued; 'a long talk--a talk of vast importance. You know Walker? No, no; how should you? He's a man of business; close friend of Rackett's--Rackett, you know, the owner of The Study.'
Upon this he made a grave pause, and glared more excitedly than ever.
'I have heard of Mr Rackett,' said Marian.
'Of course, of course. And you must also have heard that Fadge leaves The Study at the end of this year, eh?'
'Father told me it was probable.'
