SOME OLD PORTSMOUTH PROFILES
I DOUBT if any New England town ever turned out so many eccentric characters as Portsmouth. From 1640 down to about 1848 there must have been something in the air of the place that generated eccentricity. In another chapter I shall explain why the conditions have not been favorable to the development of individual singularity during the latter half of the present century. It is easier to do that than fully to account for the numerous queer human types which have existed from time to time previous to that period.
In recently turning over the pages of Mr. Brewster's entertaining collection of Portsmouth sketches, I have been struck by the number and variety of the odd men and women who appear incidentally on the scene. They are, in the author's intention, secondary figures in the background of his landscape, but they stand very much in the foreground of one's memory after the book is laid aside. One finds one's self thinking quite as often of that squalid old hut-dweller up by Sagamore Creek as of General Washington, who visited the town in 1789. Conservatism and respectability have their values, certainly; but has not the unconventional its values also? If we render unto that old hut-dweller the things which are that old hut-dweller's, we must concede him his picturesqueness. He was dirty, and he was not respectable; but he is picturesque--now that he is dead.
If the reader has five or ten minutes to waste, I invite him to glance at a few old profiles of persons who, however substantial they once were, are now leading a life of mere outlines. I would like to give them a less faded expression, but the past is very chary of yielding up anything more than its shadows.
The first who presents himself is the ruminative hermit already mentioned--a species of uninspired Thoreau. His name was Benjamin Lear. So far as his craziness went, he might have been a lineal descendant of that ancient king of Britain who figures on Shakespeare's page. Family dissensions made a recluse of King Lear; but in the case of Benjamin there were no mitigating circumstances. He had no family to trouble him, and his realm remained undivided. He owned an excellent farm on the south side of Sagamore Creek, a little to the west of the bridge, and might have lived at ease, if personal comfort had not been distasteful to him. Personal comfort entered into no part of Lear's. To be alone filled the little pint-measure of his desire. He ensconced himself in a wretched shanty, and barred the door, figuratively, against all the world. Wealth--what would have been wealth to him--lay within his reach, but he thrust it aside; he disdained luxury as he disdained idleness, and made no compromise with convention. When a man cuts himself absolutely adrift from custom, what an astonishingly light spar floats him! How few his wants are, after all! Lear was of a cheerful disposition, and seems to have been wholly inoffensive--at a distance. He fabricated his own clothes, and subsisted chiefly on milk and potatoes, the product of his realm. He needed nothing but an island to be a Robinson Crusoe. At rare intervals he flitted like a frost-bitten apparition through the main street of Portsmouth, which he always designated as "the Bank," a name that had become obsolete fifty or a hundred years before. Thus, for nearly a quarter of a century, Benjamin Lear stood aloof from human intercourse. In his old age some of the neighbors offered him shelter during the tempestuous winter months; but he would have none of it--he defied wind and weather. There he lay in his dilapidated hovel in his last illness, refusing to allow any one to remain with him overnight--and the mercury four degrees below zero. Lear was born in 1720, and vegetated eighty-two years.
I take it that Timothy Winn, of whom we have only a glimpse, would like to have more, was a person better worth knowing. His name reads like the title of some old-fashioned novel--"Timothy Winn, or the Memoirs of a Bashful Gentleman." He came to Portsmouth from Woburn at the close of the last century, and set up in the old museum-building on Mulberry Street what was called "a piece goods store." He was the third Timothy in his monotonous family, and in order to differentiate himself he inscribed on the sign over his shop door, "Timothy Winn, 3d," and was ever after called "Three-Penny Winn." That he enjoyed the pleasantry, and clung to his sign, goes to show that he was a person who would ripen on further acquaintance, were further acquaintance now practicable. His next-door neighbor, Mr. Leonard Serat, who kept a modest tailoring establishment, also tantalizes us a little with a dim intimation of originality. He plainly was without literary prejudices, for on one face of his swinging sign was painted the word Taylor, and on the other Tailor. This may have been a delicate concession to that part of the community--the greater part, probably--which would have spelled it with a y.
The building in which Messrs. Winn and Serat had their shops was the property of Nicholas Rousselet, a French gentleman of Demerara, the story of whose unconventional courtship of Miss Catherine Moffatt is pretty enough to bear retelling, and entitles him to a place in our limited collection of etchings. M.
