During the second day of the battle of Dresden, at the end of which the Emperor had the attack of fever I mentioned in the preceding chapter, the King of Naples, or rather Marshal Murat, performed prodigies of valor.
Much has been said of this truly extraordinary prince; but only those who saw him personally could form a correct idea of him, and even they never knew him perfectly until they had seen him on a field of battle. There he seemed like those great actors who produce a complete illusion amid the fascinations of the stage, but in whom we no longer find the hero when we encounter them in private life. While at Paris I attended a representation of the death of 'Hector' by Luce de Lancival, and I could never afterwards hear the verses recited in which the author describes the effect produced on the Trojan army by the appearance of Achilles without thinking of Prince Murat; and it may be said without exaggeration that his presence produced exactly this effect the moment he showed himself in front of the Austrian lines. He had an almost gigantic figure, which alone would have sufficed to make him remarkable, and in addition to this sought every possible means to draw attention to himself, as if he wished to dazzle those who, might have intended to attack him. His regular and strongly marked features, his handsome blue eyes rolling in their orbits, enormous mustaches, and black hair falling in long ringlets over the collar of a kurtka with narrow sleeves, struck the attention at first sight. Add to this the richest and most elegant costume which one would wear even at the theater,--a Polish coat richly embroidered, and encircled by a gilded belt from which hung the scabbard of a light sword, with a straight and pointed blade, without edge and without guard; large amaranth-colored pantaloons embroidered in gold on the seams, and nankeen boots; a large hat embroidered in gold with a border of white feathers, above which floated four large ostrich plumes with an exquisite heron aigrette in the midst; and finally the king's horse, always selected from the strongest and handsomest that could be found, was covered with an elegantly embroidered sky-blue cloth which extended to the ground, and was held in place by a Hungarian or Turkish saddle of the richest workmanship, together with a bridle and stirrups not less magnificent than the rest of the equipment. All these things combined made the King of Naples a being apart, an object of terror and admiration. But what, so to speak, idealized him was his truly chivalrous bravery, often carried to the point of recklessness, as if danger had no existence for him. In truth, this extreme courage was by no means displeasing to the Emperor; and though he perhaps did not always approve of the manner in which it was displayed, his Majesty rarely failed to accord it his praise, especially when he thought necessary to contrast it with the increasing prudence shown by some of his old companions in arms.
On the 28th the Emperor visited the battlefield, which presented a frightful spectacle, and gave orders that everything possible should be done to alleviate the sufferings of the wounded, and also of the inhabitants and peasants who had been ravaged and pillaged, and their fields and houses burned, and then ascended the heights from which he could follow the course of the enemy's retreat. Almost all the household followed him in this excursion. A peasant was brought to him from Nothlitz, a small village where the Emperor Alexander and the King of Prussia had their headquarters during the two preceding days. This peasant, when questioned by the Duke of Vicenza, said he had seen a great personage brought into Nothlitz, who had been wounded the evening before on the staff of the allies. He was on horseback, and beside the Emperor of Russia, at the moment he was struck. The Emperor of Russia appeared to take the deepest interest in his fate. He had been carried to the headquarters of Nothlitz on lances of the Cossacks interlaced, and to cover him they could find only a cloak wet through with the rain. On his arrival at Nothlitz the Emperor Alexander's surgeon came to perform the amputation, and had him carried on an extending chair to Dippoldiswalde, escorted by several Austrian, Prussian, and Russian detachments.
On learning these particulars the Emperor was persuaded that the Prince von Schwarzenberg was the person in question. "He was a brave man," said he; "and I regret him." Then after a silent pause, "It is then he,"
resumed his Majesty, "who is the victim of the fatality! I have always been oppressed by a feeling that the events of the ball were a sinister omen, but it is very evident now that it was he whom the presage indicated."
While the Emperor gave himself up to these conjectures, and recalled his former presentiments, prisoners who were brought before his Majesty had been questioned; and he learned from their reports that the Prince von Schwarenzberg had not been wounded, but was well, and was directing the retreat of the Austrian grand army. Who was, then, the important personage struck by a French cannonball? Conjectures were renewed on this point, when the Prince de Neuchatel received from the King of Saxony a collar unfastened from the neck of a wandering dog which had been found at Nothlitz. On the collar was written these words, "I belong to General Moreau." This furnished, of course, only a supposition; but soon exact information arrived, and confirmed this conjecture.
